Wednesday, January 23, 2013

In Memory of Carolyn, A Theatre


Travelling over undulating hills, past cattle and lush pasture north-west of Colac, Red Rock Arts Gallery and Theatre is the first building to greet the traveller in Cororooke. With a population of 383 this pretty township seems an unlikely place for a theatre, and yet this small dairy centre boasts an art gallery too.

Andrew Beale, the philanthropic force behind the town’s newest facility, is a striking figure and nothing like I expected. Wearing a hat (that I learn he’s rarely without), the local dairy farmer’s big-hearted eyes look out over a rampant beard.

Friend and fellow project designer Kelvin Harmen of Power Stage, says Andrew, who lives ‘just down the road’, is a guy who refuses to take ‘no’ for an answer.

‘Andrew bought the church and rang me,’ recalls Harmen. ‘Initially I came down here to tell him to forget it, until I realised how serious he was. He knew he’d have to spend a lot of money and I thought, count me in. It’s a really fabulous project and good fun.’

Kelvin Harmen and Andrew Beale
After purchasing the disused Uniting Church in July 2011, Beale’s vision, persistence and work ethic saw the facility ready for opening just five months later. Touring the significant extension, renovation and fit-out, it is salient to recognise how much was achieved in such a small time frame.

A generous extension links the old church, circa 1903, with the old hall. The church has been transformed into a ravishing art gallery, and the hall into the Carolyn Theatre with tiered seating, state of the art technology, projection facilities, disabled access, and an 80-seat capacity.

‘Andrew doesn’t take “no” for an answer, from the council, from anybody,’ laughs Harmen. ‘He just kept going. He decided to get a bobcat in and start digging holes, and the council would say, You cant do that, and he’d say, Well its my block I can dig a hole. And then he’d say, Its my hole I’m gonna fill it with concrete. Most of us wait for planning approval, but Andrew had it half-built before council came around and said yes its ok.’
One suspects Beale’s drive was at least in part due to the personal circumstances surrounding the project. After the tragic death of 18 month-old daughter Carolyn in a car accident in 2007, the Beale family had determined the theatre would be dedicated to her memory.

‘We were travelling back from a school concert over in Angelsea, and got cleaned up by a car coming through an intersection,’ says Beale. ‘We sort of sat on our bums for a while trying to recover. There were 5 of us in the car and all of us were admitted to hospital with multiple fractures.’ Continue reading

You may also be interested in

Saturday, January 19, 2013

Review: Romeo and Juliet (Royal Botanic Gardens)


After 25 years staging outdoor theatre it seems Glenn Elston is far from giving the game away. And why would he? A Glenn Elston production in the botanic gardens is as much part of Melbourne's summer tradition as the Boxing Day test, The Australian Open, free symphony concerts at the Myer Music Bowl and barbecues by the Yarra River.

Anyone who has ever played to an outdoor audience knows the investment in energy required, and the skills of this company ensure we are riveted from the moment Brendan O'Connor and Anthony Rive step out pre-show amongst the picnickers to draw us in. Continue reading

You may also be interested in
Glenn Elston - Outdoor Theatre: The Joys and Perils
I, Animal (Melbourne Zoo interactive theatre) 
More reviews and features

Thursday, November 22, 2012

I, Animal at Melbourne Zoo: Don't bring the kids!


Don’t bring the children to this adults-only experience at Melbourne Zoo. Seriously, don’t. I, Animal is an irresistible piece of interactive performance art, utilising patrons and zoo creatures as cast, and the environs of Melbourne Zoo as stage and set. 

Following the success of I Am Not An Animal (Ruby Award for Innovation 2012), Adelaide company, ‘The Border Project’, were commissioned by Zoos Victoria to create what is a unique interactive experience.

Here’s how it works. On arrival patrons are armed with a personal device, the ‘Zoe’ designed by Arts Processors, the team behind the ‘O’ device at the MONA Gallery in Hobart. After a series of introductory questions outside the main entrance, you are divided into four groups are led on a separate themed experiences.

I was allocated to the group exploring notions of life, death, survival and extinction. Its confrontation is surprising, warm and sensitive, and I was told later that it is the most affecting of the groups, particularly for those who’ve recently experienced the death of a loved one. Even so, there are laughs. 
Continue reading


Tuesday, October 30, 2012

Philanthropic Dairy Farmer Builds Gallery and Theatre (and then gives it away)


If you were to travel 11km beyond Colac, in a north-westerly direction you would happen upon a most unlikely establishment. Surrounded by pretty undulating pastureland, Red Rock Regional Theatre and Gallery is the first building to welcome the traveller to the little town ship of Cororooke.

Since opening in December 2011, Red Rock Regional Theatre and Gallery is proving to be a great success, and a community hub for a variety of arts groups, performances, exhibitions and activities.

Philanthropist dairy farmer Andrew Beale, was the driving force and financial benefactor for Red Rock Arts, and has named the Carolyn Theatre after his baby daughter who died in a car accident. The entire extension and renovation was completed in just six months. Continue reading

Friday, October 26, 2012

Geoffrey Rush Reveals Unsung Sondheim Lyrics for Melbourne: A Funny Thing Happened on the Way to the Forum


Geoffrey Rush (Pseudolus)
According to Geoffrey Rush, Melbourne audiences will be treated to Sondheim’s ‘as yet unperformed lyrics’ when the show opens at Her Majesty’s Theatre this Saturday.

Speaking to Stage Whispers this afternoon, the 61 year-old actor revealed the song in question is ‘one of the major numbers, which has always traditionally been done as a choreographed dance number for all the courtesans in the brothel. [Sondheim had] originally written verses for them to sing. So Simon [Phillips] said, We’re going to reinstate that.’

Mitchell Butel, Shane Bourne, Gerry Connolly and Geoffrey Rush


After a forty-year acting career, it’s surprising to learn it is possible to astonish the Triple Crown actor (with Academy, Tony and Emmy awards to his name), and yet last Friday night’s preview was something of a revelation.

Magda Szubanski
‘As we discovered at our first preview, when you have 1800 people [in this theatre] they bark. They bite back at us with an energy that I don’t think I’ve ever experience at quite that level,’ Rush mused. ‘The show’s got some ingredient that’s above and beyond what’s on the page. It kind of ignites in the house and it gets a bit out of control. It felt like a rock n roll stadium the other night. People were clapping along in the first number. I’ve never experienced that.‘

Rush is top billing in a comedic cast that oozes hilarity, hijinks and mayhem. Speaking to Stage Whispers today, was another of the show’s drawcards, the inspirational Magda Szubanski (Domina). Wearing an extraordinary red wig, Szubanski said she was ‘loving playing such a haughty bitch’.

‘I haven’t managed to get through one show yet without laughing,’ she smiled. ‘This is a funny, funny bunch of people. It’s rare in the theatre that you really belly laugh, but this show has got really big laughs. That’s kind of an indication of the kind of night you’re in for. But really if you put this bunch of people together its either gonna fall apart and degenerate, or its going to work. And its going gang-busters.’ Continue reading

Watch preview and interviews


You may also be interested in reading
Sondheim Gets a Ticket to Melbourne Season