Tuesday, February 12, 2013

At Last: Vika Bull to narrate Etta James' story (Athenaeum)

Vika Bull (Photo: Chrissie Francis)
When seasoned songstress Vika Bull graces the Athenaeum stage in Melbourne on February 21st in At Last: The Etta James Story, she rejects any suggestion she will be acting.

‘I am just telling the story of one amazing woman,’ Ms Bull told Stage Whispers, ‘and I am very nervous as it is my first time at narrating.’

Twenty-six of Etta James’s songs, backed by an eight-piece band, will feature in the ‘narrative concert’, which tells the story of the soul singer’s life. It opens just over a year after Etta James’ death in January 2012.

‘I am going to try and sing her songs as true as I can,’ said Bull. ‘Of course she was one hell of a singer with her own phrasing and that is very hard to mimic. I have been doing my homework and reading a lot about her - she had a tough life - I can only do my interpretation as best as I can.’
Continue reading on Stage Whispers

Read my review of the 'At Last' World Premiere
Watch Vika Bull singing 'At Last'
More stage theatre reviews and articles

Wednesday, February 6, 2013

Concert in Cororooke and River Walk at Barwon Heads

My two latest activity reviews have been published this morning on Weekend Notes, a global site which reviews a wide variety of leisure activities.

A concert by San Franciscan musician, storyteller and published author Kristina Olsen is planned in Cororooke's Carolyn Theatre, as part of her Australian tour. Those in Geelong or Western Victoria can attend her concert on Saturday 16th February. Read about it here

And, not so very far away from Cororooke, my review of the River Walk at Barwon Heads - one of my personal favourite parts of the world. Read about it here

Comments are always welcome.

More activity reviews can be found here.

Friday, February 1, 2013

Review: The Giraffe's Uncle (La Mama)


Essentially a one-hander, The Giraffe’s Uncle explores the life and person of Les Robinson, an absurdist writer in Sydney’s bohemia scene between the 1920s and 60s. Robinson was infamous for living in derelict houses and caves, writing, fishing and playing his gramophone, and refusing to pay rent.

Following the Sydney premiere in 2011, Kieran Carroll’s thirteenth play, restaged and revised for the Melbourne season, once again features actor Martin Portus who consolidates his return to the stage after 30 years.

Martin Portus is captivating, transporting us on the emotional rollercoaster of Robinson’s existence, his need to be embraced by bohemian colleagues, and his rejection, not of people, but of society.

Playwright Carroll describes Robinson as, ‘ a man of both indolent charm and sad anxiousness’, and as a ‘gloriously imaginative, idiosyncratic, catastrophically humorous and deeply alienated’ writer. Robinson wrote for several publications, but The Giraffe’s Uncle (1933) remains his only published short story collection.

Intuitive singer Darryl Emmerson is a charming addition to the Melbourne show and won me over with his gentle lyricism, and easy manner. So much so, the memory of my old grandfather singing crept into my head. Continue reading

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Romeo and Juliet (Royal Botanic Gardens)
War Horse (Arts Centre Melbourne)
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Thursday, January 31, 2013

Dubai Mall, United Arab Emirates

Dubai Mall (aerial view)
If you were to tell my husband shopping is a form of entertainment, he would have openly scoffed. That is until we went to the shops in Dubai.

Dubai Mall is an astonishing experience in more ways than one, not least because they are selling snow gear in the middle of the desert, not to mention iceskating.

Read my review on Weekend Notes

More activity reviews


Thursday, January 24, 2013

Review: Blaze (Hamer Hall, Arts Centre Melbourne)


Pumping out any number of impressive moves, head spinning, and one armed hand stands this week comes Blaze, a celebration of street dancing, in Melbourne after its premiere in London’s West End, and tours of the Netherlands and the UK.

MC Tony Mills urges those gathered to ‘make some noise’ as sixteen dancers and breakers take the stage. After a rather languid opening we are thrust into a high energy and mega volume affair that maintains pace by launching into new songs before the previous one ends. Continue reading

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Wednesday, January 23, 2013

In Memory of Carolyn, A Theatre


Travelling over undulating hills, past cattle and lush pasture north-west of Colac, Red Rock Arts Gallery and Theatre is the first building to greet the traveller in Cororooke. With a population of 383 this pretty township seems an unlikely place for a theatre, and yet this small dairy centre boasts an art gallery too.

Andrew Beale, the philanthropic force behind the town’s newest facility, is a striking figure and nothing like I expected. Wearing a hat (that I learn he’s rarely without), the local dairy farmer’s big-hearted eyes look out over a rampant beard.

Friend and fellow project designer Kelvin Harmen of Power Stage, says Andrew, who lives ‘just down the road’, is a guy who refuses to take ‘no’ for an answer.

‘Andrew bought the church and rang me,’ recalls Harmen. ‘Initially I came down here to tell him to forget it, until I realised how serious he was. He knew he’d have to spend a lot of money and I thought, count me in. It’s a really fabulous project and good fun.’

Kelvin Harmen and Andrew Beale
After purchasing the disused Uniting Church in July 2011, Beale’s vision, persistence and work ethic saw the facility ready for opening just five months later. Touring the significant extension, renovation and fit-out, it is salient to recognise how much was achieved in such a small time frame.

A generous extension links the old church, circa 1903, with the old hall. The church has been transformed into a ravishing art gallery, and the hall into the Carolyn Theatre with tiered seating, state of the art technology, projection facilities, disabled access, and an 80-seat capacity.

‘Andrew doesn’t take “no” for an answer, from the council, from anybody,’ laughs Harmen. ‘He just kept going. He decided to get a bobcat in and start digging holes, and the council would say, You cant do that, and he’d say, Well its my block I can dig a hole. And then he’d say, Its my hole I’m gonna fill it with concrete. Most of us wait for planning approval, but Andrew had it half-built before council came around and said yes its ok.’
One suspects Beale’s drive was at least in part due to the personal circumstances surrounding the project. After the tragic death of 18 month-old daughter Carolyn in a car accident in 2007, the Beale family had determined the theatre would be dedicated to her memory.

‘We were travelling back from a school concert over in Angelsea, and got cleaned up by a car coming through an intersection,’ says Beale. ‘We sort of sat on our bums for a while trying to recover. There were 5 of us in the car and all of us were admitted to hospital with multiple fractures.’ Continue reading

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Saturday, January 19, 2013

Review: Romeo and Juliet (Royal Botanic Gardens)


After 25 years staging outdoor theatre it seems Glenn Elston is far from giving the game away. And why would he? A Glenn Elston production in the botanic gardens is as much part of Melbourne's summer tradition as the Boxing Day test, The Australian Open, free symphony concerts at the Myer Music Bowl and barbecues by the Yarra River.

Anyone who has ever played to an outdoor audience knows the investment in energy required, and the skills of this company ensure we are riveted from the moment Brendan O'Connor and Anthony Rive step out pre-show amongst the picnickers to draw us in. Continue reading

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Glenn Elston - Outdoor Theatre: The Joys and Perils
I, Animal (Melbourne Zoo interactive theatre) 
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Thursday, November 22, 2012

I, Animal at Melbourne Zoo: Don't bring the kids!


Don’t bring the children to this adults-only experience at Melbourne Zoo. Seriously, don’t. I, Animal is an irresistible piece of interactive performance art, utilising patrons and zoo creatures as cast, and the environs of Melbourne Zoo as stage and set. 

Following the success of I Am Not An Animal (Ruby Award for Innovation 2012), Adelaide company, ‘The Border Project’, were commissioned by Zoos Victoria to create what is a unique interactive experience.

Here’s how it works. On arrival patrons are armed with a personal device, the ‘Zoe’ designed by Arts Processors, the team behind the ‘O’ device at the MONA Gallery in Hobart. After a series of introductory questions outside the main entrance, you are divided into four groups are led on a separate themed experiences.

I was allocated to the group exploring notions of life, death, survival and extinction. Its confrontation is surprising, warm and sensitive, and I was told later that it is the most affecting of the groups, particularly for those who’ve recently experienced the death of a loved one. Even so, there are laughs. 
Continue reading